“And I felt he was so determined to make this movie and to make it about growing old and about looking back at your life as much as at history, and actually really explore the impact that has on the character rather than it just be the adventure, that once we saw those moments happen, when Harrison through Indy opened that heart or that window, that’s when we all felt it powerfully. We were projecting a lot of that onto him.” off, no, he’s a character, he’s not real. “We were all with him, being like, how do you feel, this is the end and are you going to miss him? And he’s always like, f. In some respects, Waller-Bridge says, that overwhelming sentiment comes from the audience more that Ford himself. The fact that it is the final movie seems to weigh heavily around the story. Some of its story elements, the way it plays with time, the fact that it features a younger version of Indiana Jones and the way it leans into the inescapable qualities of fate, seem to serve as metaphors for the larger piece itself. The Dial of Destiny, however, is a little different. They’re caper movies which send the heroes in pursuit of an arcane MacGuffin. The film itself hews closely to the Indiana Jones canon, a period action-adventure set in the pre-modern world, where Zeppelin airships and mystical relics like the Holy Grail, the Cross of Coronado and the Ark of the Covenant are woven into Biggles-grade, white-knuckle moments. I think that’s why he was so successful and appealed to people all over the place.” “He’s frightened of things, like snakes, which you wouldn’t necessarily say is a feminine quality, but you would associate that kind of behaviour with screaming damsels. It’s so fundamentally female, and yet she’s so gloriously in touch with her feminine and her masculine.” And there’s certainly that element in Sigourney’s performance. I get excited when there’s a blend of masculine and femininity in any character. It seems like such an archaic word now, but I was a really committed tomboy, so I immediately put myself in the position of those male characters because it looked to me like they were having just more fun. “I was a tomboy as well, and that may have been part of it. I came to Terminator a little bit later, but I had the same experience,” Waller-Bridge says. “Sigourney in Alien was a kind of awakening in some ways because she wasn’t a ‘female lead’ in the way that she had all the attributes and qualities and complexities of the male action heroes that I’d seen before. “She was such an equal match for him, it’s that first punch that she throws at the beginning, and you know she’s not your regular heroine.”Īt the time, though Indiana Jones was a dominating presence, Waller-Bridge’s attention was also drawn to what was in many ways the first wave of female movie action heroines, such as Sigourney Weaver’s Ellen Ripley in the Alien movies, and Linda Hamilton’s Sarah Connor in The Terminator movies. “I was just looking at the stuff he was doing and the places he was going to and just idealising being in that situation,” Waller-Bridge says, adding that she was also impressed as a kid by Marion Ravenwood (Karen Allen), Indiana’s love-interest. “I’ve always really identified with adventure/action hero-led stories. “I was so young, I wasn’t probably thinking about him in a particularly gendered way, he was just a hero and a legend and someone that went on these incredible adventures,” she says. And the thing that really blows my mind is that these bigwigs are sitting around watching BBC3 comedies.”Īs a girl, growing up in Hammersmith in west London, Waller-Bridge had seen the Indiana Jones films and loved them. “I didn’t know what the dinner was going to be about, I was happy to see her.” Waller-Bridge says. The pair then met for dinner - Waller-Bridge’s last night out before the COVID-19 lockdown, “so that was quite an event,” Waller-Bridge says - and Kennedy offered her the role. Waller-Bridge had worked with the film’s executive producer, Lucasfilm boss Kathleen Kennedy, on the Star Wars film, Solo, in which she had voiced the droid, 元-37. “Then I sat down with it and honestly, within three pages, I just felt like I was in the world, I couldn’t wait to see what happened next.
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